TWO ROUTES TO PERSUASION
So much of human interaction consists of persuasive
declarations and actions. This chapter discusses what factors affect persuasion
and how we can most effectively have a positive effect on others.
THERE ARE TWO ROUTES TO PERSUASION:
You can persuade by building strong 'central arguments' or you can persuade
by trying to appeal to your audience by associating that which you want it to
accept with favorable 'peripheral cues.' Richard Petty and John Cacioppo have
argued that persuasion usually takes one of these two forms.
If one's arguments are strong and compelling,
they will have a better chance of being accepted because our audience will notice
less weakness in our line of reasoning and will be more prone to consider our
ideas as 'plausible' and 'acceptable.'
Yet, sometimes the strength of the argument matters less than that with which
our idea is being associated. Let us say we want to sell a car in an advertisement;
sometimes, arguing for its mechanical superiority may be less effective than
associating the car with the fun that it can bring to the driver. Notice how
many car ads show scenes outside the study in open countryside, giving the impression
that the car is a route to freedom.
Central arguments require an analytically motivated audience. It also involves
a higher degree of processing. If the arguments are 'cogent' they can attract
long-term agreement.
Peripheral route persuasion is not analytically and requires less effort on
the part of the audience. The persuaders uses a rule of thumb in associating
his or her ideas or proposals to existing symbols. It is the 'cue' that triggers
acceptance and liking. One would predict that this type of persuasion may be
less long-lived, since someone else can come along and present a more attractive
cue association and sway the audience in a different direction.
IN STUDYING PERSUASION, we study four elements:
1) The communicator, 2) The message, 3) How
the message is communicated, 4) The audience.
Who says the message often matters as much as what is being said. The same message
coming from two different sources can elicit different reactions (Why? P. 152).
Imagine someone in poor physical shape delivering an address on the benefits
of exercise. The same message from someone who is physically fit would have
a different effect.
Credibility is dependent on the source of the message. The more strongly acceptance
is connected to the source the more chance there is that the message will lost
its power when the source fades from memory. This loss of effect is called the
'sleeper effect.'
Attractiveness of the source also has a bearing
on whether the message will be readily accepted. That is why many advertisers
hire known or attractive actors to deliver their message. Attractiveness involves
physical attraction as well as 'similarity' or 'affinity' between the symbol
being used and the audience's identity. Usually, people respond better to messages
coming from people who are members of their own social and ethnic/racial group.
This is not due to prejudice as much as it is due to the fact that 'similarity'
decreases dissonance or fear of dissonance.
What is said, or the content of a message, is also important in persuasion.
Both reason and emotion are important parts of the persuasive process. Although
some persuasive acts involve both logic and emotion, we need to understand how
logic and emotion are used individually in persuasion.
Whether logic or emotion will appeal most to an audience depends on the audience
in great part. Analytical audiences tend to want reasoned arguments rather than
emotional appeals or cues. In elections, both the position as well as emotional
appeal of the candidate are of great importance. Sometimes, voters will go with
their 'feelings' and vote for whomever they find the most emotionally appealing.
This is the meaning of 'being touched' by someone's performance. We can be emotionally
touched even when someone is presenting an argument that we might disagree with
if we remained emotionally detached.
Whether an audience will react to emotional cues depends on the emotional state
of the audience also. An unhappy person may be more oppositional and less vulnerable
to being swayed by emotion (unless the emotional act makes him feel better for
the moment). So, in addition to credibility, we must take into account whether
the communicator and the message are making the audience feel good or not. Messages
that increase the audience's self-liking or enjoyment of the moment have more
power.
FEAR: Messages can also be effective by arousing 'negative emotions.' Witness
how the government is trying to reduce smoking by showing smokers the bad effects
of smoking by using pictures of illness on cigarette packs. Arousing fear in
an audience can sometimes act as a powerful persuader. Fear-arousing messages
are most effective when accompanied by advice on how the feared result can be
avoided (i.e. when talking of AIDS we offer the solution of condoms).
AUDIENCE: Who receives the message is also very important. Age makes a large
difference in the social and political attitudes held by an audience. Attitudes
seem to become more conservative as people get older. There is also the 'generational
explanation' to take into account. The attitudes that older people adopted when
they were younger will remain with most of them even as they become longer.
The baby Boomers were mistrustful of capitalism and they remain so even if many
of them are reaping its rewards. Most people from the 6)'s have more liberal
attitudes towards sexual practices. The
memorable turning points in history are also different for different generations.
World War I had more meaning for people who grew up in its wake than those of
the 60's generation, just as the Vietnam war has more emotional importance to
that generation than the present one.
In planning persuasive communications, good communicators attempt to anticipate the reactions of their audience. It is important to have a sense of what the audience is thinking (i.e. its attitudes). It is important to ask oneself what circumstances will trigger a counterargument or resistance on the part of the audience.
If an audience is not forewarned of the message
it is going to receive, there will be less opportunity for the development of
counter-argument. Similarly, distracting the audience will tend to decrease
counterargument. Consider how some ads present a message while presenting an
imagery that distracts us away from forming objections to the message.
Audiences that favor cognitive feedback tend to prefer reasoned arguments. However,
some audience do not want to exert mentally and will be more responsive to peripheral
cues such as the speaker's attractiveness and ability to create sentimental
responses. The saying, 'telling them what they want to hear' is based on a recognition
of an audience's need for peripheral stimulation.
SO, WHAT WE THINK AND/OR FEEL IN RELATION TO A MESSAGE IS AS IMPORTANT AS THE
MESSAGE ITSELF.
Reading the text, consider how a speaker may provoke thinking as well as feeling
in his or her audience.
Those of you who are familiar with Anthony Robbins (the excellence seminar speaker)
or other motivational speakers may want to consider how these people use persuasion
techniques to motivate their audiences to see reality from a particular point
of view.